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Adagio Secret Backyard
The ancient Roman city of Iesso, described by classic authors Pliny the Elder and Ptolemy, identified by the preserved archaeological web site in the village of Guissona.
Iesso was founded close to the 12 months a hundred BC exploiting the all-natural resources of the flat Guissona: the presence of abundant water and ease for the exploitation of agricultural land close by. This city has produced above far more than seven centuries an critical and constructive organization. The present state of research permits noted that the Roman city of Iesso is walled and polygonal kind a plant of about 15 and 18 are long, with a typical urban development characterized by a network of orthogonal streets, in accordance to the versions of the Roman cities of the time. To the second century BC and 1st century BC, is the basis of the Roman city of IESSO. A city perfectly organized and structured with orthogonal streets, with a wall that protects the city center, with regions of cemeteries and public spaces. Its economy is primarily based on agriculture, despite the fact that there are also small posts this kind of as pottery and domestic looms. This city has a extremely long endurance reaching s. VI AD. Soon after that date there is a small-acknowledged time period archaeologically and historically, that extends until S.XI. It is the time period of confrontation among the Arab globe and the counties feudal Catalans, and our land turns into "no man’s land", where the border in between the two worlds.The story continues to s. XI, especially among 1010 and 1023, in which there is a method of recovery from the county of Urgell. Locating a strategic defensive and is a sufficient defense tower or castle in the recent PL. of Capdevila, around which the individuals had been growing. Guissona is set to Closa medieval village.Since the eleventh century until the thirteenth, the domain of the village of Guissona is shared in between the Bishop of Urgell and the family members Fluvià. In this double lordship is in our arms, showing the lineage of Fluvià (the waves of water) and the domain of the bishop (the Greek cross). From s. XIII, the lordship passed entirely into the hands of the bishop, which explains the presence of several palaces Episcopal our people. The last of these palaces are developed close to the seventeenth century and occupied the land the place presently there is the Plaza del Obispo Benlloch, the City Council and the Catholic Center. We have to pressure also the perform of Fluvià, an episcopal palace unfinished initiated by Bishop Peter Cardona with a type of detransició beginning of the s. XVI, the work that even now rest with us. Another illustration of the relevance of this domain is the religious renewal that impacts the parish church. At the end of the s. XVIII, the former Romanesque church dedicated to s. XI is demolished and in its area is a temple built in neoclassical type, the majestic dimensions that nonetheless exists these days. Particularly the Baroque altarpiece of Solomonic focused to the Virgin
Religious fashion is amongst us, we are seeing a lot more and more style designers embracing religion and incorporating religious symbolism in their styles.
1 of the initial designers who began to depict religious symbolism is the eccentric Jean Paul Gaultier. In the early nighty’s we could see crucifixes, church stained glass layout, Jesus or the “Virgin Mary” depicted on the clothing line of this designer. At that minute in time it was not a hype, but Jean Paul was on to something.
Today practically each and every designer has had some religious symbolism in their designs. It has become a hype not only for clothes lines but also for vogue equipment. Just look at the Rosary necklace, now premium designers like Dolce & Gabanna provide them as part of their clothes collection. This particular rosary acquired quick planet publicity because Dolce & Gabanna used David Beckham as a model to encourage it. After his photograph was on the cover of a common vogue magazine sporting this rosary the hype began.
If we inquire ourselves why are these religious necklaces and religious bracelets so specific to us in this rapidly passed daily life in which religion isn’t like crucial as it as soon as was. The only solution I can think of is that we as men and women still hold religion close to our selves even even though the outside planet is moving away from it. Religion has been with us from the starting of mankind an even if we think we are leaving it behind it will often be with us.
Just look at how several teens are sporting rosaries, cross necklaces, prayer bracelets, Kaballah bracelets, Star of David necklaces and other religious jewellery these days. If you request them why they dress in it most of them will say that its just an accessory but if you request them what it stands for 9 out of ten can tell you.
Some search at this boost of religious jewelry like something offensive, but think of it from a optimistic side. In this modern century where engineering is taking in excess of with staggering pace and religion is left behind, is not it a very good point to be reminded of it when you appear at a person sporting a religious necklace, religious bracelets or some other form of religious vogue.
Maximilian is an entrepreneur with a passion for Nightlife, 80s and 90s sportscars, Byzantine art and architecture and Prayer Bracelets.